Readers who do not laugh uncontrollably during this raucous, witty and touching work are seriously impaired. Meanwhile, Russo concocts an inspired send-up of academia's infighting and petty intrigues that ranks with the best of David Lodge, as we follow Hank's progress from perverse mockery to insight and acceptance. During the course of the novel, which begins with the burial of one dog and ends with the interment of another, Hank manages to get himself in continuous trouble, in jail, in a ladies room (where he attempts to divest himself of the pants, shoe and sock he has peed in), in the hospital and out of a job. He jokes about his mediocre job, his lack of self-esteem (his one novel, 20 years ago, got good reviews but didn't sell) and his role as goad and gadfly to his friends and enemies. After his miserable childhood as the son of a chilly mother and a downright icy father-a renowned professor, literary critic and adulterer-Hank has avoided confrontation with his emotions. Pushing 50, Hank is suffering a midlife crisis he will not acknowledge. The first season will be eight one-hour episodes.

Zelman, Lieberstein, Odenkirk, Peter Farrelly, who is on board to direct, Mark Johnson, Richard Russo, Naomi Odenkirk and Marc Provissiero are executive producers. It's a vintage Russo scene, and there are others like it in this hilarious, wise and compassionate novel. Straight Man will be Odenkirk’s third series on AMC, following Breaking Bad and Better Call Saul. Picture this: William Henry (Hank) Devereaux Jr., tenured professor at a second-rank college in Pennsylvania, where he is chairman of the fractious English Department, faces TV cameras wearing a false nose and glasses, brandishing a goose over his head and threatening to kill a duck a day until he gets a budget.

The straight man richard russo